Garvey’s Doves sly

Speaking of Guy Garvey, this appeared on teletext (RIP!) today..

Guy Garvey has admitted teasing Doves, after they lost out on the No 1 album spot by just six sales.

Kingdom Of Rust entered the album chart at No 2 in April, narrowly missing out to Lady GaGa’s The Fame.

Garvey told PS: “Doves is one of my albums of 2009. But, when I heard how close they were to No 1, I bought six albums and posted them to Jimi with a note saying ‘Sorry these are late.'”

Gotta laugh! Though maybe Jimi be best asking Guy how many number one (or number two for that matter!) albums Elbow have had! ;)

Jimi Saves The Day

News must be slow – here’s one that appeared on teletext yesterday..

Jimi Goodwin, the bassist for rock band Doves, is a hero after saving the life of… a rabbit!

“We rehearse on a farm and the Jack Russell from the farm just trotted past me with a live rabbit in his mouth. I just made him drop it and hopefully the rabbit is pretty fine,” he told me.

“I got him before he snapped his neck. It’s only staving off the inevitable, but thank God for that.” Nice.

Way to go Jimi! :) Not sure how to follow that one up..

In a recent edition of Uncut, musicians including Pete Townsend were asked to name their favourite Who song. Jimi chimed in with his favourite..

I’m One (Quadrophenia) – Jimi Goodwin (Doves). I liked at age 15. Ideal for awkward age.

Classic tune. Personally, its Baba O’Riley for me. Best intro ever. This would be the perfect opportunity to upload doves cover of the Seeker as played with Roger Daltrey at the Royal Albert Hall, 2003. Sadly I don’t have it at hand, will put that right in a couple weeks.

Review Round-Up #6

More reviews!!!

State Magazine, Album Review:

State Magazine

‘Jetstream’ is a powerful, Blade Runner inspired number –taking some twists on the Vangelis futuristic synth/rock sound created for the film and crafting a song cloaked in dark streets, neon signs and ‘silent jets at night’. This seamlessly takes us into the single, and title track, ‘Kingdom Of Rust’. Moving things from a future vision to a hybrid of Sergio Leone westerns and a road trip through the cold north. Accompanied by a most touching and captivating promo video, the sense is that Doves have embraced the cinematic and are attempting to be as widescreen as they can.

To read the full review, click here.

Slant Magazine, Album Review:

Slant Magazine

A telling moment arrives in “House of Mirrors,” in which vocalist Jimi Goodwin sings of ghostly alleyways and bewildering echoes. The song is an appropriate summary of the entire album’s predicament, for despite the steady hand of producer John Leckie (Radiohead’s The Bends), Rust gets lost in one too many back alleys and side paths, all of which the Doves are too happy to explore.

To read the full review, click here., Album Review:

It’s not necessarily dramatic enough to call it a “return to form,” since Doves are about as consistently pleasing a band as one is likely to find these days, but the fact that they have come back around to more of the lush soundscapes and, yes, occasional nods to their past, certainly works to the benefit of Kingdom of Rust, the band’s fourth studio album. If anything, Kingdom splits the difference between the stripped-back rock of 2005’s Some Cities and the grand, pristine epics of 2000’s classic mopey debut, Lost Souls, and 2002’s more positive and equally brilliant follow-up, The Last Broadcast.

To read the full review, click here., Album Review:

Renowned Chemical Brothers programmer Tom Rowlands lends his recognisable arranging skills to ‘10.03’ a stunning, intimate four minutes, which sits comfortably amongst the more high-octane tracks the album has to offer.

To read the full review, click here., Album Review:

Doves/Kingdom Of Rust Review by John Earls

Four years in the making, but worth the wait, Doves return by mixing their early melancholy with the cathartic dance-tinged rock of Last Broadcast.

You can hear the cabin fever in the longing claustrophobia of the haunting Greatest Denier and Winter Hill. But the celebration of Outsiders and Compulsion match Pounding for joy.

Veterans though they are, they’re still as hedonistic as music gets. 9/10

Spin Magazine, Album Review:

Spin Magazine

These Brits’ last record came out back in 2005, but the time off hasn’t inspired any tectonic changes. And that’s a blessing: On their fourth album, Doves consistently deliver outsize rock drama, with slight diversions into New Order–ish electro (“Jetstream”) and hints of garage psych (“House of Mirrors”). Mostly, though, it’s all about the melancholy rafter-reaching, like Coldplay on their darkest day. The title track chugs menacingly before swelling into a sunlit chorus, while “Winter Hill” wrings sweetness from breakup sadness. It’s familiar, sure, but Kingdom of Rust has a welcome warmth.

City Life, Single Review:

City Life

FOUR years is a long time to take a rest from the music business.

But it’s even longer if your plan is to shuffle back in with a track that almost apologetically asks you to lend it your ears.

It’s a classic Doves ruse, of course: the gently-gently rhythms, timid vocals begging for greater prominence in the mix and a goosebumpy piano sequence are actually all just bobbing around hiding the inevitable crescendo waiting in the wings.

True to form, Kingdom Of Rust finds occasion to throw a few bolder punches as its reaches for a more panoramic prospective with a flurry of strings –a melancholic downpour over the otherwise calm proceedings.

It’s a faithful return, then –perhaps encouraged by Elbow’s phenomenal success, they don’t tinker with the formula.

Which is just the news Doves fans were hoping for.