Doves Live on Stage In Denver
Doves are playing in Denver right now as I type. They opened with Jetstream. Picture posted on twitter, by user Lyssajo
Doves are playing in Denver right now as I type. They opened with Jetstream. Picture posted on twitter, by user Lyssajo
Check out these awesome videos from Sasquatch. Recorded from the side of the stage, offering a unique view of the band playing. Shame the crowd seem a bit dead!
Winter Hill
10.03
Doves drummer Andy Williams has given a short interview to Wendy Kale of The Colorado Daily
“We do have a theme to the record — it’s all about travel,” Williams said. “The songs could be about travel on the road or personal journeys.
“We just paint the picture with the lyrics. We want to give a mood, and then let people imagine their own story when they listen to this record. The imagination is a powerful thing.”
To read the full interview, click here.

Photo of setlist & review courtesy of earcandybeat.com
Doves 2005 record, “Some Cities,” was one of my favorite albums that year and I had heard nothing but good things about the live sets by this Brit-pop band so I was excited and curious to hear what they were going to offer up on the main stage. I wasn’t disappointed as Doves definitely is a band that has to be seen live. Their sound becomes more full, loud and really downright impressively impactful in a live setting.
However, while they did sound great The Gorge setting didn’t seem like the right way to get the full effect of Doves’ live show. They would be better off playing KeyArena (a la Muse) than an outdoor set in the middle of the day. Unfortunately, Doves don’t make it stateside often and they played the Crocodile a few days before Sasquacth! so it looks it’ll probably be a while before they come back to town.
OregonLive.com has published a great review of Doves’ show at Portland’s Wonder Ballroom venue.
The encore also included a subtle, understated performance of the beautifully melancholic “The Last Broadcast.” “It comes to a point when you feel nothing,” Goodwin sang. “This is the last time.”
Based on the strength of their performance, if the Doves are the last band to ever broadcast, I can’t say I would mind too much.
To read the full review, click here.

Picture courtesy of Alan Wiley at ChordStrike.com
Here are some of the reviews coming out from doves short performance at today’s Sasquatch.
Doves played a majestic set on the main stage that wrapped up just a few minutes ago. Their songs are pleasant, yet rocking. The crowd seems seems to be enjoying the tunes and the energy feels like everyone is warming up to the idea of 3 days of blistering heat–by the way, it’s really hot here–especially for those of us more accustomed to rain and clouds than full sun. Sunscreen and skin are everywhere you look and there is much vitamin D being created. Gonna go run and catch Dent May!
I love Doves, and I’m really glad they came out of their hiding place and put out a new album this year (I blame them for all the British accents I keep hearing everywhere), but they’re another one of those pop bands that you’ll only enjoy live if you’re already in love with their music. Someone who just walked up to the band’s set probably wouldn’t have found anything remarkable about these self-designated “fucking Limeys,” but they are remarkable. You just need to get to know them. I promise.
Doves Set Tone For Big Names To FollowBy Jeremy Dutton
I’ve been into the Doves since their masterpiece: 2002’s “Last Broadcast.” They just finished a great set that included “Kingdom of Rust” and fan favorite “There Goes the Fear Again. They set the bar pretty high for the rest of the night. Although I’m sure someone can do little better in the rapport department. In addition to calling concert attendees “limey f***s.” they also begged the question of “What the f*** is a corndog?” and “What’s with the stick?” Silly Brits.
Thanks to cut_here for bringing this one to our attention, from the Seattle music & nightlife publication Line Out. A cracking read…
For a more positive spin on the show. Check out the three imaginary girls review:
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Musically, Doves were pristine. Highlights were the mesmerizing “Sea Song,” accompanied by a surfing video lulling slowly on the back-stage screen to hypnotic effect. “Black and White Town” strikingly recalled Martha & the Vandellas’ R&B classic “Heat Wave,” further illustrating that these Manchester lads never shy too far from their influences (Think the heavy gospel feel of “Satellites” and the Warren Zevon-laden “Hit the Ground Running.”) At the conclusion of “There Goes the Fear,” each band member grabbed a percussion instrument for a raucous ending, sending us off into the night.
More straight talking from the Vancouver press. This time its a very positive review of the Commodore Ballroom show:
Since this was my first chance to experience the boys live, it was all new and shiny to me, so I can only assume they left “Catch the Sun” off the set list for a good reason—in fact, 2000’s Lost Souls was largely ignored—but among the new material was a reliable sprinkling of the old barnburners like “Black and White Town” and the most appropriately monikered “Pounding”. Doves’ signature sound has always had that unique ability to sound both melancholic and uplifting at the same time, and on this particular night the sound mix at the Commodore brought out the best of both—the soaring guitars on “Words” and new favourite “Kingdom of Rust” sounded good enough to lift me straight up to a heaven I don’t believe in.
As posted by Schnappy at doves board:
Jetstream
Snowden
Winter Hill
Pounding
Almost Forgot Myself
!0:03
The Greatest Denier
Kingdom of Rust
Ambition
Black & White Town
The Outsiders
Caught By The River
——–
Firesuite
Here It Comes
The Last Broadcast
There Goes The Fear